The same hands that embroider a bridal lehenga. The same studio that designs and prints fabric. The same eye that directs every bespoke piece that leaves here. Applied now to the spaces where life is lived and celebrated.
SATYA Home Decor is not a new direction. It is the natural extension of everything this studio has always done. Textile design. Digital fabric printing. Hand embroidery. Bespoke construction. These capabilities do not stop at the edge of a garment. They belong on a dining table, at a window, across a room set for an occasion that matters, and on the walls of a home that deserves something more than a mass-produced print.
We do not make generic home textiles. We do not make generic wall art. We make pieces that carry the same standard as everything else that leaves this studio. Designed here. Printed here. Embroidered here. Stitched here. Framed here. Sent anywhere.
The brief was functional. Direct sunlight was coming through the windows at SATYA’s design studio and disrupting the workspace. The solution most studios would reach for is a standard curtain. The solution SATYA reached for was its own capability.
The textile design team worked from a reference image and developed a panoramic composition — layered pine forests in deep green, mountains receding into low cloud and mist, diffused light across the entire width of the frame. The file was built at print-ready resolution and sent to SATYA’s digital fabric printing section. The team printed it onto pure cotton fabric using a precision calibrated digital textile printing machine that delivers the exact colour range of the original design onto the fabric — every tone, every gradient, every depth of green and grey reproduced faithfully. The printed fabric was then cut and stitched into a curtain by the bespoke team under the direction of the Creative Director and the bespoke captain.
The curtain now hangs at the windows of SATYA’s design studio. The sun is blocked. The mountain is the view.
This is what it means to have every capability under one roof. A functional problem became a design statement. The studio’s own tools solved the studio’s own brief.
She came with a specific vision. She is a SATYA customer — she had seen the embroidery, she knew the standard of the studio, and she trusted that standard with something that mattered to her. She owned a set of Noritake Sonnet in Blue crockery, and she wanted to host a formal dinner that felt considered and complete. She did not want a table runner that merely matched the colour of her crockery. She wanted one that carried the same design language.
Noritake is one of the world’s great porcelain houses. Founded in Nagoya, Japan in 1904. Over a century of design mastery. The Sonnet in Blue pattern — discontinued and now all the more treasured — carries cornflower and powder blue floral scrolls, a platinum band, and an etching reminiscent of hearts. It was made at Noritake Lanka Porcelain in Matale, Sri Lanka — a joint venture established in 1972 between Japan’s Noritake Company and Sri Lanka’s Ceylon Ceramic Corporation, built in a region whose soil carries the quartz, feldspar, and dolomite that become porcelain. Japanese design. Sri Lankan minerals. Sri Lankan hands. A piece of global craft history sitting on a dining table in New Chandigarh.
The Creative Director, the fashion designer, and the embroidery captain studied the Sonnet in Blue together. The cornflower floral scroll motifs — the defining decorative element of the crockery — were traced onto paper by hand. Those traced motifs became the embroidery brief for the Workshop. The team worked the motifs in aari and dori on a silk base fabric in cornflower blue — the same blue as the Noritake pattern. The aari hook placed the dori thread in continuous, precise stitches along every scroll and floral form, following exactly what had been traced from the crockery. Table runner. Placemats. Each piece carrying the crockery’s own design vocabulary, translated from Japanese-designed, Sri Lankan-made porcelain into Indian hand embroidery on silk.
She hosted her dinner. And then she did something that says everything. She sent a photograph back to SATYA — the table fully laid out, the Noritake Sonnet in Blue crockery in place, dishes set for the evening, candles lit, white florals at the centre. The table runner and placemats visible beneath everything she had prepared. She wanted SATYA to see what it had made, in the setting it was made for.
That photograph is what this studio works toward. Not just a piece delivered. A moment made possible.
The third brief came from outside India. A customer hosting a bridal dinner wanted a table runner and placemats that matched the occasion — refined, celebratory, worthy of the event. The brief was sent to SATYA. The Creative Director and the embroidery captain directed the production of a table runner and placemats in Chikankari machine embroidery — Lucknow’s shadow work tradition, worked in the delicate white-on-white register that has defined the craft for centuries. The pieces were packaged and shipped internationally. They arrived in time for the dinner.
Built here. Sent anywhere. The same principle that governs SATYA’s bespoke and embroidery work applies equally to every home decor piece that leaves this studio.
Some pieces are not made for a customer brief. They are made because the studio needed to put something on its own walls — and when SATYA puts something on its walls, it is made to the same standard as everything else that leaves here.
The Ganesha wall art began with the textile design team developing a composition — Lord Ganesha in a bold, contemporary interpretation. Warm ochre, terracotta, burnt sienna, and deep burgundy tones against a dark ground. The parashu axe held in one hand. The other raised in the abhaya mudra — the gesture of blessing and protection. A lotus in bloom. A peacock feather in the crown. Ganesha’s vahana the mouse at his feet. The composition was developed in full and sent to SATYA’s digital fabric printing section. It was printed onto silk — the fabric that gives the composition its depth of tone and its ability to carry the embellishment that would follow.
Then the embroidery team took over. Working directly onto the printed silk surface, the team-built dimension into every form. Kut dana — faceted glass beads cut at specific angles to catch and multiply light — were placed in precise rows into the nail and finger forms, filling each one completely. Dabka — fine metallic wire couched in unbroken lines — outlined every edge and every form in the composition, giving the print a dimensional golden border that cannot be achieved in any other way. Faceted stones were set into the necklace and jewellery areas of the composition, giving the adornments on the figure real weight and presence. The finished piece was framed behind glass in a formal gold frame.
It now hangs on the SATYA walls. And it is available to commission.
Lord Ganesha — the remover of obstacles, the one who is invoked at every new beginning — belongs in every home.
Goddess Lakshmi follows.
SATYA has been building towards the Dussehra and Diwali season. The gods, rendered in silk and hand embellishment, to be placed on the walls of homes that understand the difference between something bought and something made.
Every embroidery technique this studio carries can be applied to wall art. Every subject can be commissioned. Every size can be made to suit the wall it will hang on. This is not a product line. It is a capability offered to anyone who wants something on their wall that means something.
Table runners. Placemats. Tablecloths. Curtains. Cushion covers. Pillow covers. Sofa and chair coverage. Embellished wall art — digitally printed on silk, hand embellished with kut dana, dabka, stones, and every technique this Workshop carries, framed and delivered in any size for any wall.
Every piece begins with a conversation — about the occasion, the space, the existing elements the piece needs to work with, or the wall that has been waiting for something worthy of it. Fabric is selected. Design is developed. Embroidery is briefed. Construction is completed. The piece is delivered locally or shipped internationally.
No brief is too specific. The customer who brought her Noritake crockery pattern and asked SATYA to translate it into textile is the customer this studio is made for. So is the one who wants Lord Ganesha on their wall, made the way only this studio can make him.
WhatsApp or visit us at Booths 88-91, DLF Hyde Park Estate, New Chandigarh. Tell us the occasion, the space, the wall, and what you are imagining. The team will take it from there.
We are here from 7 AM to 1 AM daily.
SATYA Home Decor · SATYA Global Design Studio · DLF Hyde Park Estate, New Chandigarh · India · Built here. Sent anywhere.
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